Charite’s story, in the Metamorphoses of Apuleius, reveals several
tragic elements, such as the structure, the passage from happiness to misfortune,
the strong presence of tyche (represented in the romance by the Fortuna caeca),
a kind of hamartia, the progression to the catastrophe and the two oneiric
experiences. Charite’s dreams find a parallel in Aeschylus, Sophocles and
especially in Euripides’ tragedies. In the second dream, Tlepolemus himself
discloses to his wife the crime in which he was the victim. This situation recalls
the ghost of Polidorus, in Euripides’ Hecuba, by the contents, by the kind of
reactions caused in the protagonist, and by the process of revenge culminating in
the act of blinding the murderer.
If we accept the apologetic intention of the romance, Charite’s tragedy
reveals moralizing and religious purposes (as suggested by the speech of Isis’
priest in 11.15), supported by the hope in liberation from the oppression of the
Fortuna and in a post mortem redemption.